fanengagement

WHAT COULD YOUR FANS HELP BUILD IF YOU INVESTED IN THEM?

Last week, I asked whether we were talking about superfans or super wallets.

With Amsterdam Dance Event opening today, I want to take that a step further. What are we prepared to invest in the people who care? My worry is that “superfan” still too easily becomes shorthand for someone we can sell more expensive shit to.

Fan-Centric & Superfan Revenue Models is an important conversation. Artists need sustainable businesses. But a plan built around asking the same people to spend more has limits.

A fanbase is an asset to invest in. Not a resource to be bleed dry for short-term gain, with the risk of destroying the very thing you’re hoping to grow.

Fans bring ideas, knowledge and connections. Someone who welcomes newcomers or introduces friends to your music can contribute enormously, even if they cannot afford another premium package.

From First Time Visitors to Lifetime Fans explores how those lasting relationships develop. For me, that starts with understanding what made the experience matter. Did someone feel they belonged? Did the music connect with something in their life? Did they find people who understood them?

Follower counts, likes and purchases can’t answer those questions on their own. Even repeat attendance only tells us they came back. Understanding why means talking to people about what they feel, value and believe. That understanding helps us see what fans might enjoy contributing, and identify other people likely to connect for similar reasons.

Then there’s Becoming the Fans First Choice in an Agentic World. In plain English, that includes AI helping people decide what to do. My question is what makes someone care enough to seek you out or recommend you to a friend.

Even after all the artists we’ve worked with, across different genres and far-flung corners of the world, we go into each project without preconceived ideas. The best innovations and opportunities come from the fans themselves. They’re hardly going to say, “Oh, what we really want is a Superfan App.” But listen properly, watch what they do, and those unspoken needs start to reveal themselves. That’s where the opportunities are.

Before planning the next premium offer, invite fans into a conversation about something they would love to help create. Understand why it matters, support a useful idea and show them what happened because they contributed.

Those conversations can also reveal worthwhile new offers: experiences people actually want, or partnerships that fit their interests. That gives revenue growth a foundation in what matters to fans.

That takes time, attention and resources between releases and events. It gives fans a reason to stay involved when there is nothing new to buy.

What could your fans help build if you invested in them?

Nancy, a behavioural scientist on our Sound Effects team, will be at ADE this week. If you’re exploring fan understanding and growth, reply and I’ll introduce you.

SUPERFANS. OR SUPER WALLETS?

A superfan who brings new people into your world can contribute to growth in ways a premium purchase won’t capture. That matters to artists, festivals and sports clubs.

Understanding why people care helps us find more people predisposed to connect. Engaging and mobilising existing fans gives those people another route in, through enthusiasm they know and trust.

Ahead of Amsterdam Dance Event, I’ve written a short edition of The Superfan Formula about broadening the ambition beyond superfan spending.

Read SUPERFANS. OR SUPER WALLETS?

SFF49: YOUR SINGLE CUSTOMER VIEW STILL DOESN’T SHOW THE WHOLE PERSON

Hold up, hold up!! We need to pause for the briefest of moments and think about something slightly nonsensical.

Music is among the most personal and powerful of all art forms. It soundtracks the highs and lows of human experience. Sport is much the same: the irrational adoration of a team seemingly incapable of winning.

Emotion. Identity. Memory. Belonging.

Yet the principal systems we use to profile the 'identifiable fan' cannot capture, analyse or explain the basis of that human connection.

They can connect every stream, click, purchase, ticket and interaction. Brilliant. Valuable. Technically impressive.

But the technology can connect the evidence. It cannot make the human meaning appear.

And if the person has never purchased, registered, attended, downloaded or joined? They are not an incomplete record. They are completely invisible.

WHO OWNS YOUR FANS?

The next ownership battle in music won’t be over masters. It will be over understanding. Artists have spent decades fighting to own their recordings, publishing, image rights and merchandise. But as audience insight, fan intelligence, AI and predictive analytics become more valuable, another question is becoming increasingly important: Who owns understanding of the fan? Labels, streaming services, promoters, ticketing companies and merchandise partners can all contribute valuable information. But each sees the fan through its own commercial lens. Only management sees the whole career and the complete fan ecosystem. This is not about weakening commercial partners. Management-owned understanding should make every partnership, brief, campaign and investment decision better. Article 41 of The Superfan Formula: Who Owns Your Fans? Because once someone else owns understanding of your audience, they begin influencing the decisions that shape your future. Who owns the strategic picture in most artist businesses today?

EMOTIONAL INFRASTRUCTURE: The Real Asset Beneath Music and Sport Fandom

The next phase of growth in music and sport will not be built by organisations that simply collect more data, launch more apps or create more premium packages. It will be built by those who understand the emotional infrastructure already sitting beneath their audience: identity, memory, ritual, belonging and advocacy.

This article explores why fandom is not built on platforms, but on meaning.